Monday, June 29, 2009

Location Scouting

One of the true joys of working on film is location scouting. Actually, this is a complete and total lie, because trying to secure locations is murder. But the actual driving and looking at places is wonderfully fun.

As some of you know, I am working on a film called Loop Planes. As the director Robin says, "It's the classic story of boy meets girl, boy loses girl, because boy is biologically a girl." Yep, it's about a transgender female to male 13 year old. You can read more about it here: loopplanes.com

Loop Planes takes place primarily in an amusement park and we are shooting in a little mom and pop park in Connecticut called Quassy. Last Sunday we had to go for a scout.

Oh my goodness, so so FUN! I was wearing a sun dress. Going to an amusement park in a sun dress may not be the best idea. Particularly if you have to ride rollercoasters for "research." Let's just say, I am pretty convinced a few people saw my panties...

Part of our scout was determining if we could take certain shots. All of us stood in and photos were taken as reference. In the photo below, I am playing the dad and Robin is playing the lead who is trying to fix one of the machines. Yes, I do make a great father in a skirt! The truth is, Robin doesn't look like she is fixing a machine at all, but looks rather dead. Or at least like she dropped a wrench on her head.


I am pretty excited for this shoot. It will be crazy hot in late August when we shoot and I am hoping tempers do not flare. Plus, there will always be dippin' dots, which is frankly the best part of any amusement park!

My Book

I have a book. It is an artist book (you can read what that means here: http://en.wikipedia.org/wiki/Artist_book). It took me two years to make. You should buy it. Or at least look at it. 56 people I know appear in it. And they all inter-connect.

Go to Preacher's Biscuit Books. And if you don't feel like buying mine, buy a different book. Because art is important!

Sunday, June 28, 2009

Driving with Michael Jackson

I sing in the car. I can't help it. Never, never when someone else is in the car with me...but almost always when I'm alone.

As everyone in the entire world knows, Michael Jackson died the day before yesterday. Already I've seen kids in my neighborhood wearing Michael Jackson 1958-2009 t-shirts! What is amazing about Michael Jackson is that for all of his weirdness in the last few years, his talent has never been questioned. There are at least three different stations in New York that are playing all Michael all weekend.

This afternoon I randomly happened to be driving a car, stuck in traffic on the west side highway. I was listening to an "All Michael All Weekend" station, singing along to P.Y.T (Pretty Young Thing), when I started to feel self-conscious because people in stopped traffic tend to look around...and a number of people were looking at me! Finally the traffic picked up. At the next light, Thriller came on. I was enjoying the Vincent Price section when something caught my out the rear view mirror. The two women in the truck behind me were dancing in the car, the exact beat to Thriller! And then they were singing along! Lip sinking the the music in my car! And I realized they were listening to the same station as I was....and so was the guy on my left. So I shrugged and thought, what would Michael do? And though the Michael in my head would be moonwalking, which didn't seem like an option since I was driving, I had to settle with singing Thriller at the top of my lungs along with everyone else in the world...or at least on the west side highway.

So, here is to you Michael Jackson...http://www.youtube.com/watch?v=AtyJbIOZjS8

Saturday, June 27, 2009

Stream of Consciousness While I can't Sleep

I have stopped sleeping. On some level this fact should concern me more than it does. Perhaps it's because I keep functioning like a normal person. I still go to the office to copy edit and write about silent women film pioneers. I am still actively in pre-production on LOOP PLANES (we're even going on a tech scout at our amusement park on Sunday--woo hoo!!!). I am making more collages than I have in years. Museum are interested in my work. I am actually writing on my blog! It sort of feels like my life is normal, except I have 20 hours a day to work instead of 16. I know this will catch up to me, but I keep thinking it would be nice if this was always how my life would be...only needing 4 hours of sleep. So today I came home from the office at 10pm (I went in at 10am) and instead of trying to sleep, I went to the laundromat and washed all my clothes and towels and sheets. By the time I got home it was 1 am. And now it's 5:30 and I've been going ever since. But the only thing I seem to be unable to do in this burst of activity is work on scripts. I really don't feel like script writing, but I feel like I need to write one more while I am at Columbia, but unless I sit down every day and start writing, it's never going to get done! I also want to direct one film next spring if I can get the money together, but that script too needs to get finished! Maybe if I spent more time writing and less time painting my nails that would help. I've been painting my nails red for the last 5 months. The last polish was sort of funky and when I took it off, it has discolored my nails. Not red, but this sickly yellow. So what do I do? I guess I have to keep painting them because my real nails look scary!

Maybe I should try sleeping again...

Friday, June 26, 2009

Denise Levertov, Seattle and my undying love of poetry

Many years ago I spent a summer in Seattle. My heart broken and stick thin, I went to work and tried to forget.
I loved Seattle like I had loved no other city. I loved that I could wear a sweater in June, always find good Vietnamese food, and lived rent free with my sister. I bought many things I still own there, including my Victrola.

I made up stories in my head about my life and surroundings, wrote long letters to the one who had broken my heart, and eventually decided to fall in love with the boy who rode the bus with me every morning. We never did speak, even though we both boarded the bus on Mercer Island and got off on the same stop downtown, swallowed up by the tall buildings where hundreds of thousands of people worked every day. I imagined he worked as an office messenger or a graphic designer for some fashionable firm. I would go to Pike Place Market at lunchtime in hopes of possibly seeing him, but after a while I gave up and started spending my lunch breaks at the public library.

I was obsessed with poetry then. I’d check out the collected poetry of Elizabeth Bishop or Sharon Olds or Marianne Moore and stay up all night reading. I remember picking up Denise Levertov, and found the perfect poem to send to the one who I, though I didn't want to admit it, still loved. It was an epic poem. I don’t even know what collection it came from. But one of the sections was titled POSTCARD, which I copied out into a notebook. I can still recall it from memory:

It’s not that I can’t get by without you
it’s just that I wasn’t lonesome
before I met you.
It’s something to do with salt losing its savor
when half of the world
one wants to share
stays in one’s pocket. Half
a crispy delicious bacon sandwich
saved. But for—Oh, like Shelley’s
posy of dewy flowers. Remember,
how he turns to give it—
Ah, to whom?

In fact, I made it into my own postcard and mailed it in hopes that the damage done between us could be mended. But some things are irretrievably broken. And now, whenever a relationship or a friendship ends, I think of the poem.  That place when there is nothing left to say, yet being acutely aware that there is a hole that will never be completely filled. Wanting to turn and share a private joke or story you know they would have loved, but doesn't matter because whatever you once had is over.

Yesterday I found a copy of the postcard I sent. Maybe if you ask kindly, I’ll send you one.

Thursday, June 25, 2009

I am a Producer

I came to school to produce movies. People have always laughed about this fact because who goes to grad school for film to be a producer? Well...I do.

While Columbia has been rough (even if I become a billionaire, I swear I will NOT be "giving back") I have discovered my true talents here. I am an artist. I like making collages (see recent collage below...I just finished last night!) and drawing pictures and getting paid to do graphic design. I am a writer. I love writing short stories and scholarly film articles on everything from women screenwriters of the silent era to the pedophilia aspects of Edward in the Twilight series. Columbia has helped me what my talents are not. I don't particularly like writing screenplays. And I am still far more interested in making experimental films than narrative Hollywood/indie crap...



That's not fair. I am a producer of narrative short films. I try to do a good job for my classmates, but I can only work on the film if I like their script. And it helps if I like them too I suppose...I think I must be doing a good job of picking people to work with because the next three upcoming films I'll be working on have all been fully funded by outside organizations. I helped write the grants, so I feel very proud. It takes a lot of work to get a film funded. We received 25 grant rejection letters for LOOP PLANES, before being funded by Killer Films. The Sloan Foundation generally supports one film per year for $20,000, but this year decided to fund two! UNCANNY VALLEY and TERREBONE! And I happen to be attached to both films! So for those of you who say there is no funding in the world, I say KEEP LOOKING!!! And now I am heading off to my next pre-production meeting...

Reading The Road

It's summer. Or at least the calendar says it's summer. So far the weather hasn't really been able to catch up...I think we've had something like 15 straight days of greyness!

Yesterday I started reading The Road by Cormac McCarthy. In my old age I seem to cry a lot. When I was 20 I never cried. I was embarrassed by people who did. I remember once going to a movie in college with a guy and he cried at the end of Saving Private Ryan and I thought, "What a baby!" and promptly broke up with him. But times have changed since then. Now I cry at the drop of a hat. Which brings me back to The Road. My roommate Andy and my friend Jeremy have told me numerous times since the book was released that I should read it. So two days ago when I realized I've read every book at least twice in my bookcase, I picked up Andy's copy and started reading...and didn't put it down until 10 hours later when I was sobbing at the end.

The book takes place in a post apocalyptic world and follows a father and son as they journey to the sea. McCarthy's writing is hard to explain, but I would argue he is in many ways the successor to Faulkner. Emotional, descriptive and dialogue that has no quotations, so the father and son's conversations seem to easily flow into the other. I am not a fan of post-apocalyptic stories. But the sense of loss--of a world and of hope--and the redemptive power of love between a father and son is truly moving. That last line was the cheesiest thing I've ever written. Which is why you should ignore me and read the book.

Which brings me back to my original thought...while I found the book deeply moving and recommend it without reservation, reading The Road, a book that takes place in a cloudy grey sunless world without hope, might not be the best book to read when you're living in the cold grey world of New York. And maybe I'm not a sap at all--just moody from the weather...

Wednesday, December 17, 2008

Silent Film Stars and napping on the job...

I am a research assistant for one of my professors. Technically, I am an editorial assistant on a book that is forthcoming on women silent film pioneers. No, no, no, not actresses, but writers and directors and producers and other such positions of power that most people assume only men held in those days...it turns out there were waaaaaay more women working in the silent era of film, than in the 30s, 40s or 50s! If you're sort of curious what it is all about, you can get an idea by clicking here (this is the old site, the professor I work for recently recently left Duke):
http://literature.aas.duke.edu/wfp/index.html

There are also lots of fabulous pictures too, like this one of Natacha Rambova, who was a rumored lesbian, professional dancer, production and art designer, married to Valentino and born in Salt Lake City!

She also designed one of the most visually sumptuous and yet utterly stilted and boring films ever, Nazimova's SALOME (which featured an all gay man cast, which Nazimova said was a tribute to Oscar Wilde). Rambova's style in this particular film looked like a Beardsley drawing come to life and remains one of the best art nouveau designed films ever.

She is just one example of many. When I go home for Christmas I will likely spend some time at the Harold B. Lee Library at BYU which has a huge repository of film ephemera, including Cecil B. DeMille's papers. He hired and used (in more ways than one if you get my drift) numerous women to write the scenarios for his silent films. So, over the holiday I'll be collecting documents and photographs. I mean really, what can be more fun than doing research for your Christmas holiday?

I keep falling asleep on the job. It's not cause it's boring. It's cause I'm not sleeping enough at night. Which is to say, I am trundling off to slumberland RIGHT NOW!

Sunday, November 09, 2008

You Know You Love Me! XO XO Gossip Girl.

So yes, sometimes I watch Gossip Girl. It's all Rashi fault if you must know. Rashi is a friend from school who told me it was her favorite show. I laughed until I realized she wasn't kidding. She was dead serious. Granted she is like 12 (okay, 25) and I am 40 (not true...but closer to 40 than 20). But she was going to drag me into loving it too, regardless of how I might feel about spoiled New York rich kids.

I hate spoiled New York rich kids.

And yet, Gossip Girl is like watching Beverly Hills 90210 15 years ago. It's a soap opera for teenagers. Spoiled, wealthy upper east siders. The kind of people I loathe going to school with and should loathe watching on a tv show. But I guess I am a 33 year old teen because I am strangely hooked. And today it paid off.

I am producing a classmates thesis film. It's about teenagers in Middle America. And half of the girls who auditioned mentioned auditioning to be on the show Gossip Girl. And they all essentially look like this:

The director and assistant director had never seen Gossip Girl (and said girls who dressed like this were not appropriate for the film), but there was something comforting that I, as the oldest person in the room, knew a lot about teenage culture.

Thursday, November 06, 2008

Making arty movies and producing like crazy!

It's November. It's also 64 degrees outside. This little body of mine (well...maybe not that little) doesn't know what to wear! Coat? Sweater? Skivvies? It's so hard. Maybe it's why I have banned getting dressed ever again until the weather decides to behave and make up its mind.

I have been producing and production designing up a storm. What this means to all you lay people is that I have been making all the plans and prep work for a film a classmate is directing (everything from finding locations, casting and figuring out how to feed the crew). Part of the time it's fun. The other part of the time I want to rip all of my hair out.

Production design, on the other hand, is almost always fun. Production design is all the art work involved in the movie. Making sets, designing rooms, finding props and (sometimes) doing the wardrobe. It's sort of like interior decorating. The last film I worked on the people were catholic and I ended up using this cross in the film:I don't know why this photo makes me laugh so hard. Or why my hair looks so weird. But the cross is pretty scary I think. Someone used it as a hammer at one point on set, which I think might be sacrilegious.

Been working on some experimental stuff. Like this film I shot of my best friend Karin in Israel last summer:

http://www.youtube.com/watch?v=T6c0Ynudsdk

or this, which is supposed to capture the frenetic energy of getting ready every morning while I was there (make sure you click on the "watch in high quality" button):

http://www.youtube.com/watch?v=z_2GjY_mbtA

Israel was lovely by the way. You should go. I enlarged my student loans to shoot some of my pre-thesis work there. What's another $5000 when I am already over $100,000 in debt?

Saturday, May 24, 2008

Hanging in Georgia

So.

At the moment I am in Georgia at my friend Molly's wedding. I drove down from New York with two friends from school, Beth and Rammy. Beth borrowed her parents' car and Rammy found us a place to stay for free in Raleigh, NC last night. And now we are in Savannah at the Holiday Inn. Tonight was the rehearsal dinner...lots of beautiful New York people transported to the deep South...I found myself wanting to ask, "Ummm...excuse me, but I forgot my headshot and I am not really sure I am pretty enough to be at this reception..."

Those of you who know me really well, know that I adore road trips. We stopped along the way in South Carolina called South of the Border. So so so offensive to Mexican people. And yet I laughed at all the stereotypes, which makes me a very bad person.

Wednesday, May 14, 2008

Whoa! You all probably thought I died!!!

Well, my dears...I didn't die. In fact, I've just been in New York City making movies. And I have to say, it has been the hardest two years of my life. By a LONG shot.

The good news is, with the end of course work, I have to produce a bunch of films in order to graduate. Which mean I don't have to go to class. The bad news is that i need to find job fast!

Been working on a bunch of little films. Just recut an experimental music film. Check it out here:

http://youtube.com/watch?v=N3jqbFPab9E

I am also starting to write grants for two different films I am producing. One is shooting in a month! Eeeek! If you're ever in the mood to donate to up and coming directors and film projects (and you want a tax write off) let me know. Seriously. We have fiscal sponsorship through Fractured Atlas. This means you donate money to the organization, then they cut us a check, and provide you with a tax write off. Yes, the non-profit world likes to call it fiscal sponsorship. My friend Catherine, who is my sometimes producing partner, likes to call it legal money laundering. Regardless, in an imperfect world, it gets the work done.

I just got an educational loan increase to go to Israel for the summer to make a short documentary about Darfur refugees in Tel Aviv. It will be my non-thesis film. I am interested in displacement, and I have a few connections there (not to mention my best friend Karin), so my costs should stay fairly low. Plus, I am already so incredibly far beyond what I can ever make up in debt, that $5,000 more doesn't seem like a lot. It is sometimes hard for me to wrap my head around the idea that I'll be close to $200,000 in debt when this is all said and done.

I worked five jobs this spring. I am seriously a masochist. Thankfully, most of them were freelance...and all but two of them are over! But having enough money to be able to pay rent is great! And if I hadn't worked so hard I never would've have been able to afford Israel.

Life is good. I promise to try and keep in better touch.

Seriously.

Tuesday, July 31, 2007

Facing yourself face to face...

Last night I went to a modern dance show in the village with my friend Mollye. It was very intimate, with five dancers on a small stage. I enjoyed the show very much, but had a very strange moment when the lead dancer (and choreographer) finally appeared. She looked like me.

People always think I look like someone they know. Someone familiar. And occasionally I get a "you look just like Drew Barrymore" or "you have Cybill Shepard's profile," neither of which I understand when people say it. Of course, it could be worse. I used to have a friend who used to be told (who is a girl mind you) that she is the spitting image of Michael J. Fox, which is not a nice thing to say to a girl...

That said, I actually recognized that this girl looked like me. Highish forehead, same eyes...it was very odd. Sort of a strange realization of what I would look like if I hadn't cut my hair short.

Saturday, January 27, 2007

Writing with regularity

It's nearly the end of January and I find myself suffering from a lack of completion. At least where my writing is concerned. Sure, I've managed to write and direct a three-minute film and work on 12 of my classmates' films (yes, I CAN tell you what a gaffer actually does), but my writing has suffered. I have notebooks and notebooks of ideas, but nothing concrete, just lots of story outlines and snippets of dialogue and the first pages of much longer ideas.

My best friend Karin thinks I should write a book about going to Columbia called "The Narrative Year," all about my efforts to try and be a narrative filmmaker rather than an experimental filmmaker, which I find far more intuitive. But how could I even start such a project when I can't even keep up on writing a blog?

One of the fun things about film school is appearing in classmates' films. So far this semester I've played a slut who is cheating with her best friend's boyfriend, an insane professor, a bisexual who is cheating on her girlfriend and is stabbed to death, a girl who steals $100 from her roommate to buy a Christmas tree, a bitch girlfriend who is mad at her boyfriend for losing tickets to the Nutcracker, someone who is randomly making out with her boyfriend at the library, the girlfriend of a hustler, and tomorrow I get to do my first nude scene! Okay, not really. But when my friend Lisa asked me to be in her film, the first thing I asked her jokingly was, "Do I get to be naked?" And her response? "Yeah, how did you know?" Actually, the film is about a one night stand and I am the girl in bed. So I don't REALLY get to be naked, just naked from the shoulders up. Right about now is when I wish I had a tube top.

I wonder why I am often cast as the slutty girlfriend. I asked Proferes, my directing professor last semester, why and he said, "Well, as [Elia] Kazan always said to me, 'you can't hire someone as an actor unless they have already lived part of the role.'" To which I replied, "So what are you saying, Nick? That I'm a slut?" And his response, "Well, if the shoe fits..." Yes, it seems I came to Columbia to be insulted by my professors.

So, for the three of you who read my blog, I thought I'd attach a couple of YouTube links so you can get an idea of the kind of films I am working on these days. They're crappy and made pretty quickly, but they'll give you an idea.


This is my film noir that I shot entirely out of sequence in 3 hours. I like my production design MUCH better than the performances.


This was the first short film I made at Columbia. It was also the first time I used a digital camera, worked with actors or edited on Final Cut Pro. The soundtrack is a Nouvelle Vague cover of Depeche Mode's "Just Can't Get Enough."

Eventually, I'll get the film I made over Christmas holiday up here too.

Friday, December 15, 2006

Random Bad Luck

The semester has just ended. And the winter holiday is going to be spent making my own, or working on other friend's short films. I like the idea that my job, essentially for the next three years, is making movies, writing scripts and learning all aspects of the film industry.

But I have to confess, I am exhausted, and more broke than I have ever been.

You see, this semester has been a series of bad luck. I am trying to remember what happened first. I think it may have been the guy who felt me up (he grabbed my right breast) from behind then took off on 125th Street. While I was rather freaked out, at least it was daytime, so I wasn't really worried about him dragging me off the street and raping me in some alley. But still...I did feel a bit violated.

Then my hard drive crashed. The best part? I had just backed up the entire contents of my computer on it, because my laptop wasn't behaving very well. This included my entire music collection, much of my digital art, and two books I am working on. The music (something like 20GB) can be replaced...not cheaply mind you...but it's possible). The book and art work...not so much. So I took it down to a couple of Mac shop in New York to see how much it would cost to do data recovery. You ready? $1,300. THIRTEEN HUNDRED FRIGGIN' DOLLARS!!! That is just wrong. So deeply wrong. I mean the hard drive only cost $250? How can data recovery cost $1300?

I was hoping my bad luck was getting better, but then on Wednesday I started throwing up and running a fever. I had to finish editing a film (it's a film noir and at least that turned out okay), write four papers, and get clearances to shoot on the street and in Central Park for a film I am producing this weekend. So, staying home wasn't an option. So, I chugged my Pepto, and went down to jump on my bike and found...I bet you know what's going to happen next...my bike had been stolen.

I think if I wasn't so exhausted, suffering from severe lack of sleep (I've averaged 4 hours a night in the last two weeks), I would probably be in tears. But I am too tired to cry. I'm just really, really sad because I liked my bike. It was great for transportation in New York. And yesterday was going to be the last time I rode it before putting it in the basement for the season. How to bike thieves steal a bike with two chains on it, including a U-lock, anyway?

Tuesday, November 14, 2006

Apple Picking, Pie and Incontinent Rainclouds

Fall on the East Coast is lovely. There are a number of small trees that turn bright red, which I like to call (in my best Biblical Moses voice) "the burning bush." While NYC does have its fair share of burning bushes, rust-colored oaks and weird yellow trees that drop stinky fruit, I decided it was time to get out of town. Actually, my friend Apryl decided it was time to get out of town and I facilitated her. So we, with an assist from my friends Josh and Mollye, set out on apple picking in New Jersey. We ended up on a farm, where we rode a tractor, picked ten pounds of Granny Smith and Pink Ladies, petted a goat and bought fresh vegetables for dinner. Back in town, I cored some of the apples and made a pretty good apple pie for my screenwriting class.

The following week, I decided that perhaps getting out of town really was good for me. So, I drove upstate to the Storm King Art Center. Go visit it now! It is hands down one of the best sculpture parks I have ever visited. Not only that, the drive up was stunning. Small roads that curved along the Hudson (yep, I took the long way home), rust-colored trees past their fall foliage prime--but still beautiful, steel span bridges. I literally ached with the beauty of it all and dreaded coming back to the city.

Finally, my sister has a blog which I often read. While she is always pretty funny, her drawing of an Incontinent Raincloud is maybe the funniest thing I've seen in a long time. Check it out.

Saturday, October 28, 2006

Halloween

Last night I went to a Halloween party in Chelsea thrown by the School of the Arts at Columbia. It was held at a bar called Crobar. It's the sort of place where people queue outside and people like J. Lo show up. Essentially not my scene. I guess that's not exactly true, because if J. Lo WERE outside and singing "Jenny From the Block" I might be compelled to stay and watch.

Regardless, while the event was not really my style, the best part of the party were the costumes! Art folks are pretty funny when it comes to dressing. Sure, there were a lot of sexy doctors, sexy animals and downright slutty girls, but there was also Patty Hearst, a girl named Jeannie dressed up as Jeannie from "I Dream of Jeannie," a swarm of avian flu and one HOT sailor...oh wait, that was me! Maybe I'll post a photo later. But I have to say, my favorite part of the night was the fact that I made masks for everyone who did not have a costume. Yes, 15 masks of my friend Apryl's face. My cousin Josh said it should be a band...The Fifteen Masks of Apryl. Watching Apryl walk around with 15 other Apryl's was weird and amazingly funny. I think on Tuesday I am definitely going to school as Apryl...or maybe I'll go super post-modern and make a mask of my own face!

Wednesday, October 11, 2006

Why I Love Boston

I've run into a number of people lately who were raised in the greater Boston area, but now live in New York. Whenever I say, "I love Boston" they say (usually with a roll of the eyes), "How can you like Boston? It's so provincial!" This weekend I spent a couple of sun drenched days in Somerville, Cambridge and Boston and fell in love all over again with the city. So, to all of those dorks who don't get it, let me state exactly why I love Boston...

1. I love that Boston IS provincial compared to New York, that the town and people are friendlier and I always feel safe in Boston (a feeling I rarely have in New York).

2. I love that I know where everything is in Boston. I love that I know where to look for used books (McIntyre and Moore, Brattle Book Shop, Harvard Bookstore), know where to buy vinyl (Looney Tunes, Cheapo Records, In Your Ear, Stereo Jacks... and that is just in Cambridge alone), know where to buy a good cheap burrito (Ana's and Felipe's). I also know that eventually I will have a grasp on this sort of stuff in New York, but right now I miss the ease and familiarity.

3. I love the film scene in Boston. Sure, the film scene is technically better in New York, but it's more expensive...much more expensive as I used to have a job in Boston that afforded me free movies in all of the theatres in Cambridge. I love that I used to be able to walk four blocks and see rep films at the Brattle Theatre and new releases at the Harvard Square Cinemas.

4. I love that I really became an adult in Cambridge. Had my first real relationships, my first real job, my first solely rented apartment (yeah, so I am back to having multiple roommates in New York).

5. I love (and miss) intellectual conversations at the Harvard Film Archive. I assumed going to film school that all of my classmates would be well versed in cinema...but not so! I miss the days when we'd sit around and discuss Ozu, Hollis Frampton, Janet Gaynor and Hal Hartley all in one go. While I do have friends in New York with that sort of knowledge, the people I see on a daily basis do not.

6. I love Linda and Despina in Somerville.

7. I love that you can put your bike on the commuter rail and in one hour be on the best beach (Singing Beach in Manchester-by-the-Sea) in New England. While Fire Island (and even Coney Island) do have their appeal, I love Singing Beach...well, because of its provincialness (is that even a word?)

8. I miss the Boston skyline. I miss riding my bike along the Charles River and looking at the sail boats and many bridges and the Pru and the stacked houses and capitol dome of Beacon Hill.

The truth is, I could go on like this for days, but it just makes me feel homesick.

Friday, September 29, 2006

T-Shirt Shame

As a pre-teen during summer holiday, I was obsessed with watching the TV show "Too Close For Comfort," which I deeply hated (JM J. Bullock was supposed to be straight...I mean really, that was just too much to ask in terms of suspension of disbelief) but which I felt compelled to watch every day at 12:30 pm. Ted Knight, who played Henry the father, always wore a sweat shirt from an American university. A different University every episode. In an interview during the mid-80s he said it was because he never graduated from college, which he always regretted, and this was his way of paying respect to all the great universities.

Charles, my childhood best friend, also wore a sweat shirt around this time that announced his allegiance to Harvard, which his father had attended, and which he and I used to fight over who would actually end up going there. I think we may have even had a ten dollar bet going. I secretly wanted the Harvard shirt, but made a conscious decision that I would NEVER wear a college shirt...that I was too cool to be a walking billboard for a University.

At BYU I sneered at the students who wore the BYU cougar shirts. "Stupid out of towners," I thought, "BYU is so stupid..." and then I would put on my "That Slut Girl" shirt that had a great cartoon of a girl with cleavage and a 60s flip smoking a cigarette and looking deliciously bitchy.

Even when I started working at Harvard (yeah, so neither Charles nor I actually went to Harvard, but I think I still win our 5th grade bet--Charles, if you're out there I want my ten dollars!), I looked at all the undergraduates and would sneer, "silly spoiled brats whose mommies and daddies make a billion dollars and can actually send them to this stupid ivy league school...I'd never wear a stupid college shirt." But that didn't stop me from buying Harvard t-shirts for all of my nieces and nephews one Christmas...

Last night I was helping my friends Josh and Mollye on some design work for a film project they are working on. It got to be late and I was exhausted after a very long day at school and I ended up sleeping on their couch. Now this would have been fine, only I had an appointment at 9 am on campus and I didn't wake up until 8:30, which did not give me time to go home and change my clothes (I had to brush my teeth with my finger and baking soda...) and because I have a busy day today, I won't make it home until tonight. And I hate wearing the same clothes twice. And there are no clothes stores near Columbia.

I suppose you know where I am going with this.

Yes, today I actually bit the bullet and bought a Columbia shirt. It's cute. It's black with white stitching. It's fitted and makes me look hot...but across my boobs, it definitely says Columbia.

I have become what I hate.

And I sort of like it.

Saturday, September 23, 2006

The oddness of school

I have 21 credits this semester. Full time is considered anything over 12 credits. Needless to say, I have a busy schedule. But, unlike being an undergraduate, there are no grades, just pass/fail classes. And this makes it a lot easier to worry about making interesting films rather than worrying about merely grade grubing.

I also have an acting class. It's called Directing the Actor, only for the first 9 weeks, we ARE the actors. I've never been very good at memorizing lines and this class has been hard because I have to memorize AND block scenes. Last week I was assigned a scene from David Hare's Plenty. In it, the main character asks a man she hardly knows to impregnant her so she can be a single mother. I was totally fine with this in concept, until I actually read the scene (five pages is freaking me out...how do people memorize whole plays anyway?) and realized I am going to have to kiss one of my classmates that I hardly know! Eeek!

This week I am also shooting my first film exercise. You should all be forewarned that if you come to visit me any time soon I will force you to be in my films!